Singers at Holly Springs Primitive Baptist Church in West Georgia treat their red hymnals like extensions of themselves, never straying far from their copies of “The Sacred Harp” and its music notes shaped like triangles, ovals, squares and diamonds.

In four-part harmony, they sing together for hours, carrying on a more than 180-year-old American folk tradition that is as much about the community as it is the music.

It’s no accident “The Sacred Harp” is still in use today, and a new edition — the first in 34 years — is on its way.

Since the Christian songbook’s pre-Civil War publication, groups of Sacred Harp singers have periodically worked together to revise it, preserving its history and breathing new life into it. It’s a renewal, not a reprint, said David Ivey, a lifelong singer and

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