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There is a pecking order in Hollywood that determines which actors and directors get first crack at the hottest material in town. When agents and managers (relying on the perspicacity of their underpaid assistants and readers) come across a script that could be a launching pad for a billion-dollar franchise or an awards season thoroughbred, they fire that sucker off to their top client (even if they're not exactly right for the lead role). This is how you get Tom Cruise embarrassing himself in "Far and Away" with the worst Irish accent you'll ever hear outside of a community theater production of "The Plough and the Stars" (and even then).

But every A-list screenwriter's gotta start somewhere, and if you find yourself in a ferti

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