Ever since his indie directorial debut "Reservoir Dogs" took the Sundance Film Festival by storm (en route to becoming obligatory dorm room postering throughout the 1990s), Quentin Tarantino has had a reputation for being a casting virtuoso. Every single part in "Reservoir Dogs" and "Pulp Fiction" feels divinely preordained, but credit must be shared with his casting collaborators over the years, starting with the late Ronnie Yeskel on those first two movies and continuing on to Victoria Thomas, who's been working with Tarantino since "Django Unchained."

One of the more interesting elements of Tarantino's movies is his penchant for reviving the careers of one-time stars (e.g. John Travolta, Pam Grier, Robert Forster, and David Carradine); he's a cinephile, so he's not often in the disco

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