‘D o you know why I’m doing this movie? What do I get out of it?” an exasperated Francis Ford Coppola asks Shia LaBeouf on the set of Megalopolis . “I don’t get money. I don’t get fame; I already have fame. I don’t get Oscars, I already have Oscars. What do I get that I want?” LaBeouf eventually gives up. “Fun!” Coppola says. “I wanna have fun!”

Making Megalopolis doesn’t look like most people’s idea of fun as Coppola attempts to corral actors, crew, costumes, locations, lavish sets and special effects all in service of a sprawling sci-fi-meets-ancient-Rome story that no one fully understands. Throw in the fact that the film-maker spent $120m of his own money on the passion project by selling off part of his winemaking business to raise funds, having spent nearly 50 years trying to g

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