In Venice, Telluride and Toronto, the red carpets have been rolled up and the dust has settled on the film festivals which traditionally function as Oscar launchpads. Back in Hollywood, publicists are recalibrating campaigns and pundits are placing their bets on the big films and performances of the upcoming awards season.
A few key contenders are still yet to be seen, but at this stage of the race, one thing seems clear: come next March, records will be broken. A victory for any of the three current frontrunners would mean unprecedented scenes on the podium.
Venice’s big hit was ticking clock nuclear thriller A House of Dynamite , whose director, Kathryn Bigelow, became the first woman to win the Oscar for best director back in 2009 with The Hurt Locker. Should she triumph for a secon