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Disasters are real — also, these days, frighteningly common, be they epic confluences of nature and negligence or the murderous and preventable kind. And when it comes to disaster movies, it’s hard to know what the acceptable level of exploitation is.
Of course, director Paul Greengrass could never be confused with the unseriousness of producer Irwin Allen (“The Towering Inferno”) or filmmaker Roland Emmerich ( “The Day After Tomorrow” ), ringmasters who preferred heaping helpings of A-listers on slick, expensive calamities. Rather, when Greengrass, coming from documentaries, tackles dark days of mass casualty, they tend to be true stories like “United 93” and “Bloody Sunday.”