Rachel Crick found the name for her new archival project when she was talking to a potential collaborator. “We were on the phone with Art Chantry, the art director for The Rocket,” she says, “and he said, ‘So what’s the deal here? Are you trying to take photos of as many weirdos as possible?’”

Yes, actually. And with that, As Many Weirdos as Possible was officially born.

Since 2021, Crick and her Weirdo colleagues—producer Pamela Houle, director Ricardo Frazer, and photographers Rosetta Greek, Lance Mercer, Chris Pugh, and Charles Peterson—have been photographing folks that were part of the Pacific Northwest music scene from 1985 to 1995 in front of a local landmark of their choosing, and collecting their handwritten memories and stories.

While much has been written, filmed, photographe

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