It’s not so often that the font of a movie’s opening credits is, itself, a provocation.

But in Luca Guadagnino ’s muddled but darkly absorbing “After the Hunt,” the white Windsor Light Condensed lettering against a black background, with cast in alphabetical order and soft jazz playing, is immediately recognizable as the style of a Woody Allen movie opening.

In the juggling act to follow in “After the Hunt,” where Guadagnino will playfully twirl a twisting narrative of alleged sexual assault, cancel culture, privilege in academia and Gen Z victimization, the credits are not so much an opening salvo than they are an introductory wink.

Like many an Allen film, “After the Hunt” is set among a well-educated, self-involved class. It takes place around Yale University. But unlike Allen’s anxi

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