Luca Guadagnino’s After the Hunt — the quasi–Me Too movie set on the Yale University campus and starring Julia Roberts, Chloë Sevigny , Ayo Edebiri, and Andrew Garfield — gives professorial style a stylish upgrade, one without the standard tweed and plaid and dusty elbow patches.

Costume designer Giulia Piersanti uses the film’s androgynous wardrobe to toy with gender roles and tests the limits and expectations of power. “Gender doesn’t usually interest me in the sense that either works for all,” Piersanti says, “and I like the line to stay blurred.” As Conclave made “quiet luxury” akin to godliness , After the Hunt delivers defensive fashion in the form of black blazers, white denim, and solid crewnecks — a look that, as Piersanti puts it, blurs the lines between the ethi

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