Writer-director Scott Cooper doesn’t want to make a music biopic. At least not the kind of music biopic you expect. Instead, in “Springsteen: Deliver Me From Nowhere,” he offers a character study as biopic, riding a similar groove as his Oscar-winning 2009 directorial debut “Crazy Heart.” kAm“s6=:G6C |6 uC@> }@H96C6” 5@6D?’E ECJ E@ E6== E96 6?E:C6 =:76 DE@CJ @7 }6H y6CD6J’D 36=@G65 C@4< 32C5[ qCF46 “%96 q@DD” $AC:?8DE66? — :? 724E[ :E 5@6D?’E 6G6? C62==J 4@G6C 9:D 3:886DE 9:ED] x?DE625[ “s6=:G6C |6 uC@> }@H96C6[” H9:49 r@@A6C 32D65 @? E96 (2CC6? +2?6D 3@@< @7 E96 D2>6 ?2>6[ 7@4FD6D @? 2 4@?E6>A=2E:G6 A6C:@5 :? $AC:?8DE66?’D =:76 2?5 42C66C[ 2 E:>6 H96? E96 >FD:4:2? 5F8 566A E@ 6I@C4:D6 9:D @H? 56>@?D[ AC@5F4:?8 E96 D@?8D 7@C 9:D `hga 24@FDE:4 2=3F> “}63C2D<2]”k^Am kAm“%96 q62C” DE2C y6C

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