Suspected witches kneeling before James VI in Daemonologie, his 1597 treatise on witches. Wikimedia Commons

In the 16th century, witches and demons weren’t just for Halloween. People were terrified and preoccupied with them – even kings.

In 1590, James VI of Scotland – who was later also crowned James I of England – travelled by sea to Denmark to wed a Danish princess, Anne. On the return journey, the fleet was hit by a terrible storm and one of the ships was lost.

James, a pious Protestant who would go on to sponsor the translation of the King James bible, was convinced he’d been the target of witchcraft. On his return, he set in motion the brutal North Berwick witch trials.

A few years later, James decide to write a treatise called Daemonologie, setting out his views on the relationship between witches and their master, the devil.

Meanwhile, another firm Halloween favourite – ghosts – had fallen out of favour in the wake of the Protestant Reformation because they were seen as a hangover from Catholicism.

In this episode of The Conversation Weekly podcast, Penelope Geng, an associate professor of English at Macalester College in the US who teaches a class on demonology, takes us back to a time when beliefs around witches, ghosts and demons were closely tied to religious politics. She explains how these beliefs  have come to influence the way witches and ghouls have been portrayed in popular culture ever since:

It seemed that at a very grassroots level, people believed in the existence of witches and devils. At a very high theological level, writers were talking about it. So I think, compared to today, the early modern period really was a moment in which people were somewhat obsessed with thinking about this eternal struggle between good and evil and their own place in this warfare.

You can also read an article Penelope Geng wrote on the difference between ghosts and demons, and the way they were portrayed in literature, as part of The Conversation’s Curious Kids series.

This episode of The Conversation Weekly was written and produced by Katie Flood, Mend Mariwany and Gemma Ware. Mixing by Eleanor Brezzi and theme music by Neeta Sarl.

Listen to The Conversation Weekly via any of the apps listed above, download it directly via our RSS feed or find out how else to listen here. A transcript of this episode is available on Apple Podcasts or Spotify.

This article is republished from The Conversation, a nonprofit, independent news organization bringing you facts and trustworthy analysis to help you make sense of our complex world. It was written by: Gemma Ware, The Conversation

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Penelope Geng does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.