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“Joe Turner’s Come and Gone,” arguably the finest work in August Wilson’s 10-play series chronicling the African American experience in the 20th century, is set in a boarding house in Pittsburgh in 1911. The Great Migration is underway, with millions of Black Americans moving from the rural South to the industrial North and Midwest in search of opportunity and freedom.

Gregg T. Daniel, who has been making his way through Wilson’s decade-by-decade cycle at A Noise Within, has infused his revival of “Joe Turner’s Come and Gone” with a sense of momentous transit. The characters who stop for a time at the boarding house owned and operated by Seth (Alex Morris) and his wife, Bertha (Ve

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