T hirty-two-year-old writer-director Paul Raschid is surely too young to recall the multiple endings of 1985’s Clue or the hotly traded Choose Your Own Adventure books . Perhaps RPGs gave this film-maker a penchant for interactive cinema. Either way, intrepid souls heading to London’s Genesis cinema between now and New Year will hold up glow sticks to determine their path through the woods of Raschid’s latest horror-thriller. The Run demands split-second judgment calls one may not be accustomed to, slumped under a half-ton of popcorn. And there’s a strong possibility you won’t get what you vote for; much like the Guardian wrote of Raschid’s 2022 endeavour The Gallery , this feels like an appositely post-Brexit format.

The path we guide characters down here is literal: we’re direc

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