The celebrated Romanian filmmaker Radu Jude produces a clutch of truly disturbing sights in his latest film, Dracula , where mangled bodies and blood-gorged ghouls leer at the audience from the screen. But what makes these images efficient nightmare fuel stems from their construction more so than their appearance: they’re the product of AI rather than human artists. The famed fanged count of Transylvania feasts on victims in repose as their limbs entwine and mouths emerge in areas of the anatomy where mouths most certainly do not (and should not ) exist; the ghouls howl until their own faces fall off and they dissolve into what’s best described as visual fog, horrible and hideous all at once.
In most stories, this is where the author would make a pat remark like “and that’s the poin

 TIME

 Deadline Business
 AlterNet
 Raw Story
 Reuters US Top
 Associated Press Elections
 RadarOnline