At just under 150 minutes, James Vanderbilt’s Nuremberg —  detailing the historic war trials for the surviving Nazis of World War II — moves along at an impressive clip. The meat of the film, the psychological face-offs between US military psychiatrist Douglas Kelley (Rami Malek) and unrepentant Nazi second-in-command Hermann Göring (Russell Crowe), is deeply compelling. Göring is intimidating both physically (particularly in the way he fills the frame) and mentally; Crowe’s carefully calculated combination of righteousness, fury and narcissism makes for an especially complex and frightening performance. He presents a fascinating ethical quandary for Kelley, who seems to get worryingly close to Göring after hundreds of hours together. The tête-a-tête between Göring and Kelley delivers a

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