The late Claude Lanzmann, director of the monumental Shoah – the nine-and-a-half hour documentary about the Holocaust, released in 1985 and widely considered the greatest cinematic work on the subject – would have turned 100 this week, a destiny he missed by only eight years, dying in 2018. What would the filmmaker – who devoted almost a decade to his masterpiece, nearly obliterating himself in the process – make of Europe in 2025, a place where idealistic crowds of the young march for Israel’s annihilation, where the words ‘Dirty Jew’ are spray-painted on Parisian walls, and where, in the first six months of 2025, there were a registered 646 anti-Semitic acts in his native France alone?
The war years, Lanzmann said, ‘had been heavy, the fear, the perilous balance between life and death

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