CLEVELAND, Ohio – On Thursday evening at Severance Music Center, guest conductor Bernard Labadie did far more than just hold the performance of Messiah by the Cleveland Orchestra, Chorus and solo quartet together, he led a surgically clean account of George Frideric Handel’s 1741 oratorio.

Like a London cabbie, Labadie knew all the available highways and byways for the two-hour musical journey and pointed out interesting sights we might otherwise have missed.

And to change metaphors, like a skilled restorer he gently removed layers of interpretive grime that has accumulated over the years from Handel’s score, allowing us to hear it with fresh ears. He also tucked in some surprises of his own for those of us who thought we knew the piece and how it should go.

Seated on a piano bench and

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