From posthumous footage of a cloaked Bela Lugosi stumbling through graveyards in “Plan 9 From Outer Space” to David Niven appearing in blackface at the end of “Vampira,” Dracula has endured far worse over the years than anything director Radu Jude can do to the character. But that doesn’t stop the cinematic prankster from trying to make his epically sloppy, almost-three-hour “Dracula” into the most exploitative interpretation of the character yet — a position Jude adopts on purpose.

After debuting his relatively respectable decline-of-Western-civilization satire “Kontinental ’25” at the Berlinale in February, the prolific Romanian auteur unleashes a second 2025 project at Locarno, where his rowdy “Do Not Expect Too Much From the End of the World” debuted two years earlier. An outrageo

See Full Page