T his documentary about motherhood in Chile’s prison system is edited down from 4,000 photos and nearly 2,000 videos shot entirely on mobile phones by inmates of the country’s largest women’s jail. Phones are banned, so the images are often fuzzy and blurred, clips ending abruptly – sometimes with a hiss of “Hide the phone!” or “The guard is coming!”. At times, it can be hard to make sense of what is happening on screen. The voiceover is spoken by Karina Sánchez, who spent more than six years in prison, and she also voices the experiences of other incarcerated women. It’s not immediately clear she is telling multiple stories, however, so the voiceover becomes mildly disorientating.

It’s estimated that 95% of women in Chile’s prisons are mothers, and their children can stay with them in j

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