Graham Fuller’s collection of interviews with filmmaker Ken Loach sticks to the script

Film

Wing men Ken Loach and young actor Dai Bradley on the set of ‘Kes’ in 1969. Photo: Getty

In the early 1950s, a French critic coined the term auteur theory. This proposes the idea that truly great films emerge from the eyes and hands of one solitary creative genius: the director.

It’s not a view of filmmaking that Ken Loach endorses. “Film is a collaboration,” the British director tells Graham Fuller in Loach on Loach .

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