Predicting Ben Wheatley ‘s next career move is never a game to bet the house on. Two years after bouncing back from his impersonal, Netflix-glossy “Rebecca” remake with the gnarly indie eco-horror “In the Earth,” the British filmmaker was handed his biggest studio budget and least typical assignment to date with 2023’s sharkbuster sequel “Meg 2: The Trench” — a dud, most agreed. So what now? The most stubbornly anti-commercial film of his career, of course. Shot on a shoestring and seemingly written on the back of envelope that then went several rounds in the shredder, “ Bulk ” is a stunt that makes even earlier oddball Wheatley works like “A Field in England” look quite conventional by comparison — but there’s more energy and wit in this hybrid of conspiracy thriller, time-bending sci

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