Some evenings demand that you carry a chandelier in your chest. TAKI Gold paints for those evenings—the nights when radiance must arrive with receipts, when glamour refuses amnesia, when joy is not a costume but a conviction.

His canvases stand like architecture in weather, chroma rising and then steadying, forms holding their line as memory leans in with all its unruly insistence. What meets the eye is exalted yet unsentimental: joy after the fire, joy through the body that survived, joy as the ultimate manifestation of love.

To understand that light, you must read the history of Liberia, a country whose very name promises freedom while its origin story complicates the oath. Nineteenth-century designs placed an American project on West African soil; independence followed in 1847, and an

See Full Page