J ulien Duvivier’s mysterious and passionately despairing 1937 movie is rereleased, with its luminous lead performance from Jean Gabin as a charismatic Parisian criminal hiding out in the labyrinthine Casbah of Algiers; he is protected there by the dense polyglot population of Indigenous locals that the French colonial authorities consider it imprudent to provoke. He is effectively given sanctuary, but also imprisoned in the unpoliceable, unknowable quarter that, like Polanski’s Chinatown, is a place that baffles and thwarts the imperial powers-that-be.

It was a film remade by Hollywood in 1938 as Algiers, which was the debut of Hedy Lamarr and made a huge star of its French lead Charles Boyer, who is much sleeker and more conventionally photogenic than Gabin (but forever stuck with th

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