O ne could argue that The Bachelor, the ABC reality juggernaut that has reified Christian-lite dating norms for 27 seasons, should be considered scripted content. The connections can be genuine, and the feelings often real, but the situations are contrived and manipulated, a pioneering brand of deliberately saccharine, hokey and ridiculous in the name of love and for the sake of entertainment. Watching The Bachelor and its spinoffs, as I occasionally have over its two-plus-decade run, is to be baffled, frustrated, annoyed and ultimately hooked. The show, with its in-group rituals and shocking sincerity, casts a strange spell over its contestants and its viewers; if you stick through one episode, you’re liable to start caring about what happens. The Man in My Basement review – Willem Daf
The Wrong Paris review – Netflix Bachelor romcom makes few right choices

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