A s we return to the 1990s, with Scream, Clueless, Buffy, Practical Magic, Happy Gilmore and My Best Friend’s Wedding having either returned or set for it, there’s also a broader sense of nostalgia that’s seeing the resurrection of certain genres. Already at this year’s Toronto film festival, Aziz Ansari admirably tried, and I would say sadly failed, to recall the spirit of the high-concept star-led comedy with fantastical elements in Good Fortune . There’s a far more convincing attempt from the Irish writer-director David Freyne with Eternity, an ambitious afterlife romance that could more neatly play alongside films of the era like Heart and Souls, What Dreams May Come and Ghost. Couture review – Angelina Jolie is the wrong fit for inert fashion drama Read more

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