R ichard Linklater’s 2001 movie Tape, and Stephen Belber’s 1999 play that preceded it, were ahead of the curve in their targeting of male sexual violence, blurred lines of consent, performative apologies and self-victimising aggressors. Now comes a remake from Hong Kong for the post-#MeToo era. It makes a few updates, such as situating the film in an Airbnb apartment (instead of a motel room), where two old high-school friends convene. But, somewhat too reverential towards the original, this new version from director Bizhan Tong doesn’t do enough either conceptually or aesthetically to dig down into today’s shifted gender battle lines.

In Tong’s scenario, flippant lifeguard and small-time drug-dealer Wing (Adam Pak) invites his straight-laced school buddy Chong (Kenny Kwan) over to shoot

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