When audience members arrive at Masquerade , the immersive quasi revival of Phantom of the Opera , they need to know the password. They use it to enter a large building that was once the home of Lee’s Art Shop and has now been turned, under director Diane Paulus, into a multifloor, multiroom performance space. (They also need to wear a mask over their eyes, but don’t worry if you’re not the type to have costumes lying around: Cute little show-appropriate ones are provided at the door.) As in many such productions in the long wake of Sleep No More , they’re ushered from room to room and scene to scene and sometimes pulled aside by cast members for individual interactions. There’s no orchestra, just one violinist, and most of the music is prerecorded — though the voices are, of cours

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