Taylor Swift’s The Life of a Showgirl arrived with the kind of rollout that could only belong to her — one part cinematic spectacle, one part cultural takeover. The timing was almost too neat: weeks after an engagement that reignited Swift’s every headline, she unveiled her twelfth studio album to a public primed for dissection. And just as fans began parsing lyrics for clues, Blake Lively quietly liked Swift’s Instagram post announcing the record.

No caption. No commentary. Just a heart.

In a vacuum, it’s nothing — a routine nod between friends. But in the Swift multiverse, where every digital gesture is a breadcrumb, Lively’s like became its own subplot. It marked the first public acknowledgment between the two since Swift got dragged into Lively’s ongoing legal battle with It Ends Wit

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