S hot in Bangui, capital of the Central African Republic , Elvis Sabin Ngaibino’s engrossing and poignant documentary is a family affair. The subject is none other than his cousin Rodrigue, who is consumed with a weighty secret: both he and his wife Reine are living with Aids. Within their deeply religious community, the condition is sorely misunderstood; in his fervid sermons, the local pastor associates Aids and HIV with witchcraft, curses, and even God’s punishment. Such superstitious and moralistic sentiments take deep root in the minds of the believers, worsening the social stigma surrounding an ongoing health crisis.

Unable to speak their truth, Rodrigue and Reine are torn between their private troubles and public personas. The sensorial soundmix powerfully conjures the cacophony

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