Believe it or not, Death of a Salesman will always be relevant. Sometimes all we need is a solid production to remind us of why something has ended up in the canon. Gwydion Theatre Company’s Salesman , directed by Scott Westerman, is a crystal-clear interpretation of Miller’s play, focusing on the humiliations of capitalism and how those debasements ricochet through families. This Salesman invokes generations of disillusioned and disenfranchised laborers who, like Willy Loman, own nothing of their own.

Through clever rearrangements of Miller’s text, this Salesman becomes Linda Loman’s play. As Linda, Annie Slivinski hardly ever leaves the stage, always watching and cleaning up after her husband and children as they abandon props. This focus on Linda’s devalued domestic labor mak

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