Iread George Eliot’s “Middlemarch,” sometimes hailed as the greatest British novel, in a rain forest in western Indonesia. I was there as a graduate student, spending my days slogging through mud and interviewing locals about gods and pig thieves for my dissertation. Each evening, after darkness fell, my research assistant and I would call it a night, switch off the veranda’s lone bulb, and retreat to our separate rooms. Alone at last, I snapped on my headlamp, rigged up my mosquito net like a kid building a pillow fort, and read.

Those were good hours, although, honestly, little of the novel has stuck with me—except for Casaubon. The Reverend Edward Casaubon is Eliot’s grand study in futility: an aging, self-important, faintly ridiculous clergyman who has dedicated his life to an audacio

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