Just last week, Emma Stone stepped out in the same spring 1996 Donna Karan skirt set that costume designer Judianna Makovsky once sourced for Gwyneth Paltrow ’s Estella in Great Expectations . That rare crossover between screen costume and real-life fashion was exactly the kind of moment Vogue World: Hollywood set out to celebrate last night, as it turned Paramount Studios into a catwalk, with Paltrow watching from the front row beside Anthony Vaccarello and Sandy Powell.

As if she was ever going to not be there: forged in the golden era of ’90s Los Angeles, and now a working movie star again (soon to star alongside Timothée Chalamet in A24’s £50 million Marty Supreme ), Paltrow feels as much a part of Hollywood’s landscape as that sign on the hills. She wore a sleeveless,

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