The twisted filmography of Yorgos Lanthimos has by now trained us to expect darkly comic visions of contemporary life, both savage and mundane. His movies have perhaps inspired the most “What?!” reactions of the last decade, partly because they’ve tried so hard to do so. kAmw:D >@G:6D — 72C46D[ 723=6D[ 6IA6C:>6?ED — C6D:56 :? DFCC62= H@C=5D @7 E96:C @H?] qFE 9:D =2E6DE[ k2 9C67lQ9EEADi^^2A?6HD]4@>^2CE:4=6^3F8@?:2\G6?:46\7:=>\76DE:G2=\aa_h6dadd_d22c6gg37g4cb`4e676g`7Qm“qF8@?:2[”k^2m :D E9C:==:?8=J[ :7 EC28:42==J[ E:65 E@ @FC C62=:EJ] xE >:89E 6G6? 36 9:D 36DE 7:=>] %9@F89 x’G6 366? 2AAC696?D:G6 23@FE E96 7=2>3@J2?E D6G6C:EJ @7 {2?E9:>@D’ >@G:6D[ x 7@F?5 “qF8@?:2[” 2 492>36C\A:646 8FE AF?49[ 92C5 E@ D92<6] u@C DE2CE6CD[ :E’D 5:77:4F=E E@ C6D:DE 2?J >@G:6 H:E9 2 =:?6 :? :E =:<6i “%96C6’D p

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