In the quiet of his Ramallah studio in the occupied West Bank, Palestinian artist Nabil Anani works diligently on artworks deeply rooted in a movement he helped create during the political tumult of the late 1980s.

Cofounded in 1987 by Anani and fellow artists Sliman Mansour, Vera Tamari and Tayseer Barakat, the New Visions art movement focused on using local natural materials while eschewing Israeli supplies as a form of cultural resistance. The movement prioritised self-sufficiency at a time of deep political upheaval across occupied Palestine.

“[New Visions] emerged as a response to the conditions of the Intifada,” Anani said. “Ideas like boycott and self-reliance inspired a shift in our artistic practice at the time.”

Each of the founding members chose to work with a specific materi

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