Releasing posthumous music from an artist can feel especially gross. It’s an extremely delicate situation; obviously, the artist isn’t alive to personally select which songs they wish to share with their audience. Maybe there were records they didn’t wish to release. Perhaps it was for their ears only. Ultimately, it’s an extremely thin line where whoever is in charge of the estate is in control of an artist’s legacy. Besides Mac Miller, there aren’t many examples. Usually, it leads to this unsettling exploitation where a group of people exploits an artist’s catalog. Thankfully, Sharon Osbourne won’t let that happen with her late husband Ozzy.

Still, it won’t stop Black Sabbath’s ex-manager Jim Simpson from trying. In a desperate, disgusting attempt to cash in on Ozzy’s tragic passing, he

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