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Meta is all the rage these days in films about filmmakers and the filmmaking process. Take Richard Linklater’s ode to the French New Wave, “Nouvelle Vague” (available on Netflix), which follows a young Jean-Luc Godard in 1959 Paris seeking to make his first film (“Breathless”), or “Jay Kelly” from Noah Baumbach (“White Noise,” “Squid and the Whale”), in which George Clooney essentially plays George Clooney. Add to that Joachim Trier’s stirring “Sentimental Value,” about the creative tempest of filmmaker Gustav Borg (Stellan Skarsgård), an auteur well into his autumn seeking to achieve one last cinematic masterpiece.

There’s not an ounce of fat in the script, t

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