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On a nippy Monday night at the Zebulon in Frogtown, a man wearing a Jason Voorhees T-shirt steps onto a purple-lighted stage and stands next to a drum set. Audience members, seated in neat rows and cradling cocktails, enthusiastically applaud.

Then they look toward a glowing projector screen. Some clutch their pens, ready to take notes.

“In cinema, three elements can move: objects, the camera itself and the audience’s point of attention,” Drew McClellan says to the crowd before showing an example on the projector screen. The clip is a memorable scene from Jordan’s Peele’s 2017 film, “Get Out,” when the protagonist (Daniel Kaluuya) goes out for a late-night smoke and sees the ground

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