Call him a master wordsmith, formal innovator, Booker prize winner, Nobel laureate-in-waiting, a sorcerer. Call him Sir Salman Rushdie.
He slips into a story as gracefully as Laurence Olivier vanished into a Shakespearean role. Rushdie’s towering talent is evident throughout “The Eleventh Hour,” a quintet of tales that are his follow-up to “Knife,” a searing memoir of his near-fatal 2022 stabbing. Here, his fiction blends the real with the fable-like. No Anglophone writer does it better.

Batavia Daily News

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