Night Always Comes review – Vanessa Kirby gets lost in poverty thriller

T here’s been a recent overkill of stories told about the super-rich, glossy films and shows set in ostentatious houses filled with characters as superficially on trend as they are painfully out of touch. It felt like needed escapism as we crawled out of the very worst of the pandemic, with The White Lotus, Triangle of Sadness, The Menu and Glass Onion all hitting a sweet spot, but it’s grown rather tiring , as Sirens, The Better Sister and Your Friends and Neighbors have felt less eat the rich and more what if we just admired their kitchens instead. ‘We thought with The Crown: “Is anyone going to watch this?”’ director Benjamin Caron on risk, realism – and royalty Read more

It’s become especially uninteresting as the gap between the uber-wealthy and the rest of us has widened, foo