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Here is everything you need to know about Ang Collins' and Janie Gibson's soundscape-theatre production, Meet Me at the Baths : when a former editor asked Gibson how many characters were scripted after Saturday's run, I almost did not want to know the answer.

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Knowing which of the countless interactions were scripted, and which were improvised in the moment that a passerby found themselves unintentionally in the story, felt like it could shatter the fragile magic that had floated on composer Liesl Pieterse's sparse piano score.

Here is a show in which every inte

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