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Beyond the Cuban diaspora, the genre known as reparto is overwhelmingly unknown. But on the streets of Havana and Hialeah, Miami, reparto is inescapable, pulsing from balconies and portable speakers on the beach.

Born in Cuba’s working-class neighborhoods — known colloquially as repartos — this hyperkinetic fusion of reggaetón, timba and Afro-Cuban rhythms has become the island’s score. In the mid-2000s, artists like Chocolate MC and Elvis Manuel built the genre’s sound on distorted synth stabs, shouted call-and-response hooks, and the distinct Cuban clave beat that makes your body move before your brain can even catch up.

It’s also become a platform for youth navigating scarcity,

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