Some paint ghosts. One sculpts with hair. Another is late 60s and one of the more intriguing “new” talents around. All six are positioned for career-making openings in September. In these artists’ hands, figuration isn’t a retreat but an insurgency. It isn’t nostalgic or safe or optically rote. It’s personal, political, pictorially alive, pushing against the flatness of photo-based realism and ultra-on-message art. Some of these artists I’ve followed for years; others are new to me. But each delivers that jolt of recognition. Karen Barbour makes abstract dot-filled dreamscapes that hover between the psychedelic and the childlike. María Berrío’s collaged visions are both intricate and otherworldly, dreamed then chiseled. Ana Cláudia Almeida paints with spectral precision; colors blur, as if

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