T he culmination of a seven-year research project, Lukas Marxt and Vanja Smiljanić’s striking, exhaustive film examines the lasting impact of 20th-century military projects on the US landscape. The film begins at the former Wendover air force base in Utah, where fighter-bomber practice runs were held before the bombings of Hiroshima and Nagasaki in 1945. Moving through the corridors of a museum erected to commemorate the mission, the roving camera takes in various artefacts, including replicas of the two atomic bombs, Little Boy and Fat Man. Circulating through various monitors and speakers, matter-of-fact narration of these events lingers in the air, lending an omnipresent eeriness. Here lies empty nostalgia, unnervingly entombed.

The ecological devastation that surrounds the Salton Se

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