Rian Johnson's wonderful Benoit Blanc series has never shied away from satirizing our current hellscape. Indeed, characters who reflect our modern topsy-turvy times have been essential to each film. The original, the delightful "Knives Out," focused on an obscenely wealthy, extremely entitled family and the good-hearted immigrant woman at the center of their manipulative drama. The follow-up, "Glass Onion" ( a film I liked just as much as the first, if not more ) took aim at billionaire tech bros who are prone to grabbing hold of other people's brilliant ideas and claiming them as their own (the COVID-19 pandemic was also directly referenced in the film). Now we have "Wake Up Dead Man," the third film in the trilogy and the most overtly political entry yet. Johnson's approach here is b

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